Comments for Graham Dunning

Comment on Netradio Show: Fractal Meat on a Spongy Bone by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:43 +0000

[...] Graham Dunning Sound and Visual Art Skip to content HomeAboutWorksReleasesProjectsCV ← Netradio Show: Fractal Meat on a Spongy Bone [...]

Comment on Familiars: Debut performance at Stranger Than Fiction, London, 26th Novemeber by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:40 +0000

[...] to be repeated in 2012. The month also saw the first performance for dance/sound/improv quartet Familiars, which will also be explored further in the coming [...]

Comment on Ritual performance with Ingrid Plum: Apiary Gallery, London by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:37 +0000

[...] to explore movement in performance, firstly as I reunited with an artist from the Light Ship, Ingrid Plum, for a duet, hopefully to be repeated in 2012. The month also saw the first performance for dance/sound/improv [...]

Comment on Figure Ground book launch by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:34 +0000

[...] October things quietened down again, with only the openings of the Oramics exhibition and the Figure Ground publication launch. November saw me beginning to explore movement in performance, firstly as I reunited with an [...]

Comment on Curating the Oramics to Electronica exhibition by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:32 +0000

[...] October things quietened down again, with only the openings of the Oramics exhibition and the Figure Ground publication launch. November saw me beginning to explore movement in [...]

Comment on Collaborative recording weekend at the Merzbarn by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:29 +0000

[...] which featured three of my older installations. And later in the month I spent a long weekend at Kurt Schwitters’ Merzbarn in the lake district, recording an album with other artists associated with White Label [...]

Comment on Loss Shines A Light on What Remains: Solo exhibition in New York by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:26 +0000

[...] on OSG. At the start of September I was in New York setting up my first international solo show, Loss Shines a Light on What Remains, which featured three of my older installations. And later in the month I spent a long weekend at [...]

Comment on Release: Open Sound Group – Warehouse One by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:23 +0000

[...] for the Luton Festival, called Your Luton Symphony. August also saw another Open Sound Group workshop and networking event, with corresponding release on OSG. At the start of September I was in New York setting up my [...]

Comment on Images from Your Luton Symphony installation by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:20 +0000

[...] date, a public, interactive sound installation for the Luton Festival, called Your Luton Symphony. August also saw another Open Sound Group workshop and networking event, with corresponding [...]

Comment on Track playing at SoundFjord event at the ICA by Review of 2011 | Graham Dunning

Review of 2011 | Graham Dunning — Thu, 29 Dec 2011 15:10:17 +0000

[...] If May was busy, June was hectic. Alongside gigs with Now, Damo Suzuki and The A Band, I joined newly-formed Sci-Fi improv ensemble Asteroid, with whom I’d play several high-intensity gigs throughout the year. I was also lucky enough to be selected to work with The Science Museum on their co-curation programme, helping put together an exhibition about Daphne Oram and the History of Electronic Music, the results of which are now on show until December 2012. I took a slight break in July, in preparation for the rest of the year, but was still delighted to have a new composition debuted at the ICA for Soundfjord’s Re/Flux event. [...]